"On the relation between rhythm perception and production: a Bayesian model"
Peter Desain,
Nijmegen University
Ecological psychology posed the relation between perception and action
in the environment. Newer cognitive theories postulate an intimate
link via mental representations used by both processes. In music the
coding of a rhythm into an observable temporal pattern by the
performer and the subsequent decoding by the listener is thus supposed
to be veridical. However, experiments show that rhythms are not always
produced in accordance with their perceived identity, which is
evidence against a direct perception-action coupling. Using Bayes rule
to formalize competition between mental representations and
non-uniform exposure in a meta-analysis, the contrast almost
disappears. This suggests an optimal adaptation of our perceptual
system to the environment, and it removes the apparent empirical
counterevidence against perception-action theories.
About the Speaker: Peter Desain is part of the 'Music, Mind, Machine'
group at Nijmegen University in The Netherlands. He is visiting this
year at CSLI and CCRMA.