Michael D. Harris "Black Identity Formation in Art"

Michael D. Harris is professor of African and African American art history at the University of North Carolina at Chapel Hill. An artist and curator, he is a longtime member of the Chicago-based artists' collective AfriCobra. Harris shows how, during the nineteenth and twentieth centuries, racial stereotypes became the dominant mode through which African Americans were represented. These characterizations of blacks formed a substantial part of the foundation of white identity and social power. They also, Harris argues, seeped into African Americans' self-images and undermined their self-esteem. Harris traces black artists' responses to racist imagery across two centuries, from early works by Henry O. Tanner and Archibald J. Motley Jr., in which African Americans are depicted with dignity, to contemporary works by Kara Walker and Michael Ray Charles, in which derogatory images are recycled to controversial effect.