In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event

In honor of the centenary of Allen Ginsberg’s birth on June 3, 1926, Stanford University Libraries will host its first-ever exhibition of Ginsberg, exploring his complex legacy as a poet, activist, promoter, traveler, spiritual seeker, and teacher. The exhibition will draw upon the extensive array of notebooks, diaries, manuscripts, photos, and other items from the Allen Ginsberg Papers, a collection acquired by the Department of Special Collections at Stanford in 1995.

Allen Ginsberg’s poem “Howl for Carl Solomon” launched the Beat Generation to fame and notoriety upon its publication in Howl and Other Poems by City Lights Books in 1956. Following an infamous obscenity trial in San Francisco, Ginsberg embraced his role as a free speech advocate and deftly managed his newfound media celebrity. An out gay man over a decade before Stonewall and a public advocate for drug experimentation, he became a spokesperson for rebellion against the conformity of the postwar Eisenhower era. Ginsberg also assiduously promoted the work of his fellow writers, shopping their work to mainstream and underground publishers, defending them from censorship, and bolstering the appeal and notoriety of the Beat Generation. In the 1960s, Ginsberg transformed himself into an irreverent guru to the youth counterculture, appearing at many of the decade’s seminal events, including the Human Be-In, held in San Francisco’s Golden Gate Park in January of 1967, a prelude to the Summer of Love. During this time, he also became a prominent public figure for the antiwar movement, participating in protests in the Bay Area and at the Democratic National Convention in Chicago.

As a young man, Ginsberg experienced a series of mystical visions that impressed upon him the vast, eternal nature of human consciousness. To rekindle these visions, he experimented with drugs as a means of expanding consciousness and explored Eastern religion as a way of attaining enlightenment. A seeker for much of his life, Ginsberg also traveled the world for poetry readings, concerts, and lectures, championing the nonconformity and poetic exuberance of the American underground. These travels profoundly shaped Ginsberg’s poetry and built an international audience for his work and that of his fellow Beat writers.

This exhibition is curated by Rebecca Wingfield, Curator of American and British Literature, Humanities Resource Group, Stanford University Libraries. Produced and designed by Deardra Fuzzell, with assistance from Elizabeth Fischbach, Kylee Diedrich, and Pasha Tope.

Ginsberg at 100: Selections from the Allen Ginsberg Papers at Stanford will be open to the public. Registration with a valid government ID is required to enter the Cecil H. Green Library and view the exhibit.

View on site | Email this event