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X-WR-CALNAME:Carolyn Lazard: Long Take
X-WR-TIMEZONE:Pacific Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224936196
DTSTART;VALUE=DATE:20260806
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224937221
DTSTART;VALUE=DATE:20260807
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
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DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224938246
DTSTART;VALUE=DATE:20260808
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224939271
DTSTART;VALUE=DATE:20260809
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224940296
DTSTART;VALUE=DATE:20260810
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
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DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224944395
DTSTART;VALUE=DATE:20260813
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224945420
DTSTART;VALUE=DATE:20260814
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224946445
DTSTART;VALUE=DATE:20260815
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224947470
DTSTART;VALUE=DATE:20260816
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033042Z
UID:tag:localist.com\,2008:EventInstance_52881224948495
DTSTART;VALUE=DATE:20260817
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224950545
DTSTART;VALUE=DATE:20260819
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224951570
DTSTART;VALUE=DATE:20260820
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224952595
DTSTART;VALUE=DATE:20260821
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224953620
DTSTART;VALUE=DATE:20260822
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224954645
DTSTART;VALUE=DATE:20260823
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224955670
DTSTART;VALUE=DATE:20260824
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224956695
DTSTART;VALUE=DATE:20260825
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224958744
DTSTART;VALUE=DATE:20260826
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224959769
DTSTART;VALUE=DATE:20260827
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224960794
DTSTART;VALUE=DATE:20260828
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224961819
DTSTART;VALUE=DATE:20260829
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224962844
DTSTART;VALUE=DATE:20260830
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224963869
DTSTART;VALUE=DATE:20260831
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224965920
DTSTART;VALUE=DATE:20260903
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224966945
DTSTART;VALUE=DATE:20260904
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224967970
DTSTART;VALUE=DATE:20260905
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224968995
DTSTART;VALUE=DATE:20260906
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224970020
DTSTART;VALUE=DATE:20260907
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224972071
DTSTART;VALUE=DATE:20260910
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224973096
DTSTART;VALUE=DATE:20260911
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224974121
DTSTART;VALUE=DATE:20260912
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224975146
DTSTART;VALUE=DATE:20260913
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224976171
DTSTART;VALUE=DATE:20260914
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224977196
DTSTART;VALUE=DATE:20260915
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224979245
DTSTART;VALUE=DATE:20260916
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224980270
DTSTART;VALUE=DATE:20260917
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224981295
DTSTART;VALUE=DATE:20260918
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224983344
DTSTART;VALUE=DATE:20260919
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224984369
DTSTART;VALUE=DATE:20260920
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881224986418
DTSTART;VALUE=DATE:20260921
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225010997
DTSTART;VALUE=DATE:20260924
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225012022
DTSTART;VALUE=DATE:20260925
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225013047
DTSTART;VALUE=DATE:20260926
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225014072
DTSTART;VALUE=DATE:20260927
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225015097
DTSTART;VALUE=DATE:20260928
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225017148
DTSTART;VALUE=DATE:20261001
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225018173
DTSTART;VALUE=DATE:20261002
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225019198
DTSTART;VALUE=DATE:20261003
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225020223
DTSTART;VALUE=DATE:20261004
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225021248
DTSTART;VALUE=DATE:20261005
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225024323
DTSTART;VALUE=DATE:20261008
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225025348
DTSTART;VALUE=DATE:20261009
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225026373
DTSTART;VALUE=DATE:20261010
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225027398
DTSTART;VALUE=DATE:20261011
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225029447
DTSTART;VALUE=DATE:20261012
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225032522
DTSTART;VALUE=DATE:20261015
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225033547
DTSTART;VALUE=DATE:20261016
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225034572
DTSTART;VALUE=DATE:20261017
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225035597
DTSTART;VALUE=DATE:20261018
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225037646
DTSTART;VALUE=DATE:20261019
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225038671
DTSTART;VALUE=DATE:20261020
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225039696
DTSTART;VALUE=DATE:20261021
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225040721
DTSTART;VALUE=DATE:20261022
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225041746
DTSTART;VALUE=DATE:20261023
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225042771
DTSTART;VALUE=DATE:20261024
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225043796
DTSTART;VALUE=DATE:20261025
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225044821
DTSTART;VALUE=DATE:20261026
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225047896
DTSTART;VALUE=DATE:20261029
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225048921
DTSTART;VALUE=DATE:20261030
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225049946
DTSTART;VALUE=DATE:20261031
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225049947
DTSTART;VALUE=DATE:20261101
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225050972
DTSTART;VALUE=DATE:20261102
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225054047
DTSTART;VALUE=DATE:20261105
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225055072
DTSTART;VALUE=DATE:20261106
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225056097
DTSTART;VALUE=DATE:20261107
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225057122
DTSTART;VALUE=DATE:20261108
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225058147
DTSTART;VALUE=DATE:20261109
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225059172
DTSTART;VALUE=DATE:20261110
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225061221
DTSTART;VALUE=DATE:20261111
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225062246
DTSTART;VALUE=DATE:20261112
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225063271
DTSTART;VALUE=DATE:20261113
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225064296
DTSTART;VALUE=DATE:20261114
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225065321
DTSTART;VALUE=DATE:20261115
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225066346
DTSTART;VALUE=DATE:20261116
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225069421
DTSTART;VALUE=DATE:20261119
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225070446
DTSTART;VALUE=DATE:20261120
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225071471
DTSTART;VALUE=DATE:20261121
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225071472
DTSTART;VALUE=DATE:20261122
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225072497
DTSTART;VALUE=DATE:20261123
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225075572
DTSTART;VALUE=DATE:20261126
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225076597
DTSTART;VALUE=DATE:20261127
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225077622
DTSTART;VALUE=DATE:20261128
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225078647
DTSTART;VALUE=DATE:20261129
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225079672
DTSTART;VALUE=DATE:20261130
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225082747
DTSTART;VALUE=DATE:20261203
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225083772
DTSTART;VALUE=DATE:20261204
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225084797
DTSTART;VALUE=DATE:20261205
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225085822
DTSTART;VALUE=DATE:20261206
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225086847
DTSTART;VALUE=DATE:20261207
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225089922
DTSTART;VALUE=DATE:20261210
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225090947
DTSTART;VALUE=DATE:20261211
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225091972
DTSTART;VALUE=DATE:20261212
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T033043Z
UID:tag:localist.com\,2008:EventInstance_52881225092997
DTSTART;VALUE=DATE:20261213
DESCRIPTION:Carolyn Lazard: Long Take is a multimedia exhibition that begin
 s with a score for a performance and unfolds as a series of interventions 
 that engage accessibility as an artistic material.\n\nMade in collaboratio
 n with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes\, t
 he central work\, Leans\, Reverses (2022)\, emerges from the relationship 
 between a dance performance\, its recording\, and transcription (a choreog
 raphic score\, captions\, and audio description). The installation include
 s two additional works which are created anew at each showing based on the
  artist’s instructions. Institutional Seat (2022) modifies a standard be
 nch from the museum’s galleries into a version that is more comfortable 
 for all museum visitors. Surround Sound (2022) attends to the floor of the
  gallery with dance-floor materials. Over the course of the exhibition\, t
 his floor will collect marks made by visitors’ shoes\, strollers\, and w
 heelchair treads\, like another form of tally or notation.\n\nCarolyn Laza
 rd (b. 1987) is a New York-based artist whose primary medium is iteration.
  They also work across video\, sculpture\, installation\, and performance.
  Their practice remembers the generative incapacity of debility.\n\nCaroly
 n Lazard: Long Take is organized by the Cantor Arts Center\, presenting wo
 rk originally co-commissioned by the Walker Art Center in Minneapolis\; th
 e Institute of Contemporary Art\, University of Pennsylvania\; and Notting
 ham Contemporary\, and is curated by Christina Linden\, Director of Academ
 ic and Public Programs. We gratefully acknowledge support from The Lynn Kr
 ywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center\, Lynn Krywick Gibbons Gallery
SUMMARY:Carolyn Lazard: Long Take
URL;VALUE=URI:https://events.stanford.edu/event/carolyn-lazard-long-take
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR