BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades awa y X-WR-TIMEZONE:Pacific Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754215802 DTSTART;VALUE=DATE:20241118 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754217851 DTSTART;VALUE=DATE:20241119 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754218876 DTSTART;VALUE=DATE:20241120 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754220925 DTSTART;VALUE=DATE:20241121 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754222974 DTSTART;VALUE=DATE:20241122 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754225023 DTSTART;VALUE=DATE:20241123 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754227072 DTSTART;VALUE=DATE:20241124 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754229121 DTSTART;VALUE=DATE:20241125 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754230146 DTSTART;VALUE=DATE:20241126 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754232195 DTSTART;VALUE=DATE:20241127 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754234244 DTSTART;VALUE=DATE:20241128 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754236293 DTSTART;VALUE=DATE:20241129 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754237318 DTSTART;VALUE=DATE:20241130 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754239367 DTSTART;VALUE=DATE:20241201 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754241416 DTSTART;VALUE=DATE:20241202 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754243465 DTSTART;VALUE=DATE:20241203 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754244490 DTSTART;VALUE=DATE:20241204 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754246539 DTSTART;VALUE=DATE:20241205 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754248588 DTSTART;VALUE=DATE:20241206 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754250637 DTSTART;VALUE=DATE:20241207 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754251662 DTSTART;VALUE=DATE:20241208 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154229Z UID:tag:localist.com\,2008:EventInstance_48041754253711 DTSTART;VALUE=DATE:20241209 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754255760 DTSTART;VALUE=DATE:20241210 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754257809 DTSTART;VALUE=DATE:20241211 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754259858 DTSTART;VALUE=DATE:20241212 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754261907 DTSTART;VALUE=DATE:20241213 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754263956 DTSTART;VALUE=DATE:20241214 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754264981 DTSTART;VALUE=DATE:20241215 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754267030 DTSTART;VALUE=DATE:20241216 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754269079 DTSTART;VALUE=DATE:20241217 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754271128 DTSTART;VALUE=DATE:20241218 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754272153 DTSTART;VALUE=DATE:20241219 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754275226 DTSTART;VALUE=DATE:20241220 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754276251 DTSTART;VALUE=DATE:20241221 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754278300 DTSTART;VALUE=DATE:20241222 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754280349 DTSTART;VALUE=DATE:20241223 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754282398 DTSTART;VALUE=DATE:20241224 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754283423 DTSTART;VALUE=DATE:20241225 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754285472 DTSTART;VALUE=DATE:20241226 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754287521 DTSTART;VALUE=DATE:20241227 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754288546 DTSTART;VALUE=DATE:20241228 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754290595 DTSTART;VALUE=DATE:20241229 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754292644 DTSTART;VALUE=DATE:20241230 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754294693 DTSTART;VALUE=DATE:20241231 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754296742 DTSTART;VALUE=DATE:20250101 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754298791 DTSTART;VALUE=DATE:20250102 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754300840 DTSTART;VALUE=DATE:20250103 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754302889 DTSTART;VALUE=DATE:20250104 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754304938 DTSTART;VALUE=DATE:20250105 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754306987 DTSTART;VALUE=DATE:20250106 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754309036 DTSTART;VALUE=DATE:20250107 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754310061 DTSTART;VALUE=DATE:20250108 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754312110 DTSTART;VALUE=DATE:20250109 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754314159 DTSTART;VALUE=DATE:20250110 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754316208 DTSTART;VALUE=DATE:20250111 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754318257 DTSTART;VALUE=DATE:20250112 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754320306 DTSTART;VALUE=DATE:20250113 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754322355 DTSTART;VALUE=DATE:20250114 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754324404 DTSTART;VALUE=DATE:20250115 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754326453 DTSTART;VALUE=DATE:20250116 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754329526 DTSTART;VALUE=DATE:20250117 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754333623 DTSTART;VALUE=DATE:20250118 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754336696 DTSTART;VALUE=DATE:20250119 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754338745 DTSTART;VALUE=DATE:20250120 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754341818 DTSTART;VALUE=DATE:20250121 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754343867 DTSTART;VALUE=DATE:20250122 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754345916 DTSTART;VALUE=DATE:20250123 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754347965 DTSTART;VALUE=DATE:20250124 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754350014 DTSTART;VALUE=DATE:20250125 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754353087 DTSTART;VALUE=DATE:20250126 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754355136 DTSTART;VALUE=DATE:20250127 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754358209 DTSTART;VALUE=DATE:20250128 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754361282 DTSTART;VALUE=DATE:20250129 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754363331 DTSTART;VALUE=DATE:20250130 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754366404 DTSTART;VALUE=DATE:20250131 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754368453 DTSTART;VALUE=DATE:20250201 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754370502 DTSTART;VALUE=DATE:20250202 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754372551 DTSTART;VALUE=DATE:20250203 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754375624 DTSTART;VALUE=DATE:20250204 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754377673 DTSTART;VALUE=DATE:20250205 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754379722 DTSTART;VALUE=DATE:20250206 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754381771 DTSTART;VALUE=DATE:20250207 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754383820 DTSTART;VALUE=DATE:20250208 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754385869 DTSTART;VALUE=DATE:20250209 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754387918 DTSTART;VALUE=DATE:20250210 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754389967 DTSTART;VALUE=DATE:20250211 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754390992 DTSTART;VALUE=DATE:20250212 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754393041 DTSTART;VALUE=DATE:20250213 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754395090 DTSTART;VALUE=DATE:20250214 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754397139 DTSTART;VALUE=DATE:20250215 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754399188 DTSTART;VALUE=DATE:20250216 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754401237 DTSTART;VALUE=DATE:20250217 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754403286 DTSTART;VALUE=DATE:20250218 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754406359 DTSTART;VALUE=DATE:20250219 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260807T154230Z UID:tag:localist.com\,2008:EventInstance_48041754408408 DTSTART;VALUE=DATE:20250220 DESCRIPTION:청계 차일수: 득의망상 (得意忘象)\nCheonggea Ilsu C ha: Grasp the Essence\, and the Form Fades Away\n\nThe Stanford East Asia Library presents an exhibition by the South Korean artist Cheonggea Ilsu C ha from November 18\, 2024 to February 20\, 2025. Artist Cha has dedicated his 40-year career to the mastery of ‘literati’ painting. The litera ti genre combines written word with a painterly interpretation of text\, a form of art that has been practiced by the scholarly elite in Korea for o ver 400 years. His work has been featured at the prestigious Grand Art Exh ibition of Korea\, and he has held eight solo exhibitions.\nA significant number of Korean scholars practiced literati painting during the Joseon Dy nasty\, which extended from 1392 to 1897. Literati painting reflects the s cholar’s observation\, understanding and interpretation of a poetic topi c. The artist strives for aesthetic discipline\; the text must be no longe r than what the topic minimally requires. So too must the artist seek simp licity in his visual vocabulary. The exhibition is inspired by the philos ophy of Tŭgŭi mangsang (得意忘象)\, which emphasizes abandoning arti fice in order to seek the true nature of things. The works at the exhibit ion employ the use of ink and a constrained palette of color using materia ls such as traditional Korean paper\, scrolls\, and fans. The paintings to uch on a wide variety of topics\, from nature to philosophical reflections to expressions of human emotion. Cha’s work is inspired by the artistic sensibility of his predecessors. Visitors to the museum will find paintin gs imbued with a classic aesthetic\, timeless charm\, and a lively wit.\nT his exhibition of Cha’s Korean literati paintings was curated by Jee-You ng Park\, Korean Studies Librarian at Stanford East Asia Library\; Ji Soo Kim\, M.A. in Museum Studies from San Francisco State University\; and Wo oju Chong\, M. A. in Center for East Asian Studies from Stanford Universit y\, in consultation with the East Asia Library Exhibits Committee. GEO:37.429468;-122.167272 LOCATION:Lathrop Library\, East Asia Library\, 2nd floor SUMMARY:Cheonggea Ilsu Cha: Grasp the essence\, and the form fades away URL;VALUE=URI:https://events.stanford.edu/event/cheonggea-ilsu-cha-grasp-th e-essence-and-the-form-fades-away CATEGORIES:Exhibition END:VEVENT END:VCALENDAR