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X-WR-CALNAME:Exquisite Reality: Photography and the Invention of Nationhood
 \, 1851-1900 [VIRTUAL]
X-WR-TIMEZONE:Pacific Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948582611
DTSTART;VALUE=DATE:20220127
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948608212
DTSTART;VALUE=DATE:20220128
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948631765
DTSTART;VALUE=DATE:20220129
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948655318
DTSTART;VALUE=DATE:20220130
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948677847
DTSTART;VALUE=DATE:20220131
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948700376
DTSTART;VALUE=DATE:20220202
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948723929
DTSTART;VALUE=DATE:20220203
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948750554
DTSTART;VALUE=DATE:20220204
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948774107
DTSTART;VALUE=DATE:20220205
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948797660
DTSTART;VALUE=DATE:20220206
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948822237
DTSTART;VALUE=DATE:20220207
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948845790
DTSTART;VALUE=DATE:20220209
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948873439
DTSTART;VALUE=DATE:20220210
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948896992
DTSTART;VALUE=DATE:20220211
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948922593
DTSTART;VALUE=DATE:20220212
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948949218
DTSTART;VALUE=DATE:20220213
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948970723
DTSTART;VALUE=DATE:20220214
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574948993252
DTSTART;VALUE=DATE:20220216
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949021925
DTSTART;VALUE=DATE:20220217
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949047526
DTSTART;VALUE=DATE:20220218
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949073127
DTSTART;VALUE=DATE:20220219
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949099752
DTSTART;VALUE=DATE:20220220
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949124329
DTSTART;VALUE=DATE:20220221
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949145834
DTSTART;VALUE=DATE:20220223
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949169387
DTSTART;VALUE=DATE:20220224
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949196012
DTSTART;VALUE=DATE:20220225
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949222637
DTSTART;VALUE=DATE:20220226
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949257454
DTSTART;VALUE=DATE:20220227
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949282031
DTSTART;VALUE=DATE:20220228
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949306608
DTSTART;VALUE=DATE:20220302
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949332209
DTSTART;VALUE=DATE:20220303
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949355762
DTSTART;VALUE=DATE:20220304
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949380339
DTSTART;VALUE=DATE:20220305
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949403892
DTSTART;VALUE=DATE:20220306
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949427445
DTSTART;VALUE=DATE:20220307
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949456118
DTSTART;VALUE=DATE:20220309
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949478647
DTSTART;VALUE=DATE:20220310
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949503224
DTSTART;VALUE=DATE:20220311
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949529849
DTSTART;VALUE=DATE:20220312
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949556474
DTSTART;VALUE=DATE:20220313
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949579003
DTSTART;VALUE=DATE:20220314
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949604604
DTSTART;VALUE=DATE:20220316
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949627133
DTSTART;VALUE=DATE:20220317
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949650686
DTSTART;VALUE=DATE:20220318
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949673215
DTSTART;VALUE=DATE:20220319
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949696768
DTSTART;VALUE=DATE:20220320
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949722369
DTSTART;VALUE=DATE:20220321
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949754114
DTSTART;VALUE=DATE:20220323
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949777667
DTSTART;VALUE=DATE:20220324
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949805316
DTSTART;VALUE=DATE:20220325
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949832965
DTSTART;VALUE=DATE:20220326
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949858566
DTSTART;VALUE=DATE:20220327
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260608T085711Z
UID:tag:localist.com\,2008:EventInstance_38574949881095
DTSTART;VALUE=DATE:20220328
DESCRIPTION:Invented and refined in the 1830s and 1840s\, photography was i
 nitially hailed as an apolitical medium\, a pure marriage of science and a
 rt. The French critic Francis Wey celebrated its ability to represent what
  he called “exquisite reality” — to depict the world exactly as it w
 as. Photography not only reproduces the world the that a photographer sees
 \; it also reveals how they see it. The pictures featured in this exhibiti
 on document the ideologies\, biases\, and aspirations of artists\, patrons
 \, and audiences in the nineteenth century.\n\nIMAGE: Gaetano Pedo Studio 
 (Italian\, 1880–1890)\, The Roman Forum\, Rome (Roma\, Foro Romano)\, 19
 th century. Albumen print. Museum Purchase Fund\, 1973.63.2\n\nAdmission I
 nfo: The Cantor Arts Center is now open at 100% capacity. Free all-day res
 ervations are required for every visitor.
GEO:37.432981;-122.170494
LOCATION:Cantor Arts Center
SUMMARY:Exquisite Reality: Photography and the Invention of Nationhood\, 18
 51-1900 [VIRTUAL]
URL;VALUE=URI:https://events.stanford.edu/event/exquisite_reality_photograp
 hy_and_the_invention_of_nationhood_18511900
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR