BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:From Stone and Plate: Lithographs and Intaglio X-WR-TIMEZONE:Pacific Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260907T151327Z UID:tag:localist.com\,2008:EventInstance_47934066010494 DTSTART:20241104T190000Z DTEND:20241105T010000Z DESCRIPTION:Stanford Lithography 2024: Prints from 149A Kathryn Kain’s Cl ass\, Spring 2024 \n\nExhibition Run: November 4-12 (closed on Election Da y\, Nov. 5)\n\nGallery Hours: Monday-Friday\, 11am-5pm\n\nReception: Frida y\, November 8\, 4-5:30 PM\n\nLocation: Miller Discussion Space\, Across f rom the Coulter Gallery\, (Ground Floor Crit Space)\n\nArtists: Krain Chen \, Kaylee Harvey\, Halima Ibrahim\, Charu Jain\, William Pangburn\, Emma R eid Talley\, and Katie Terrell\n\nStanford is home to at least a hundred l imestones in the large printmaking studio\; this is rare as colleges and u niversities downsize printmaking spaces. I have taught lithography as a vi siting instructor at Stanford since 2006. I originally studied with Kenjil o Nanao\; a Tamarind trained master printmaker. He studied with and assist ed Nathan Oliviera\, master printmaker and late professor emeritus of prin tmaking at Stanford. During Spring Quarter 2024\, my students\, with much hard work\, created the works in this exhibit. \n\nLithography is the most recently developed of the traditional printmaking methods. Invented in 17 96 by Alois Senefelder\, who was a playwright searching for a more efficie nt method to reproduce words and music. Through trial and scientific exper imentation\, Senefelder perfected the technique known as chemical printing or lithography. The principle which makes this possible is simple: oil an d water don’t mix. \n\nLithographic pencils\, crayons and inks have a gr ease content which bonds with the stone after the drawing on stone is trea ted with a weak solution of nitric acid and gum arabic. \n\nUnlike relief and intaglio\, lithography is planographic and requires no carving or inc ision into the surface of a limestone block. Image areas are drawn or tran sferred as if to a sheet of paper. Inherently sensitive to grease and wate r\, the Bavarian limestone allows detailed images to be retained and print ed hundreds of times as long as a stone is chemically stable and kept damp while printing. \n\nThis highly commercially viable process took over th e printing industry and artists found the autographic medium attractive be cause limestone is a seductive surface for drawing. Although demanding and labor intensive\, lithography allows direct drawings to be duplicated fai thfully with proper expertise. \n\n- Kathryn Kain\, curator\n\nVISITOR IN FORMATION: The Miller Discussion Room is located on the ground floor of th e McMurtry Building\, located at 355 Roth Way. Visitor parking is availabl e in designated areas and payment is managed through ParkMobile (free afte r 4pm\, except by the Oval). Alternatively\, take the Caltrain to Palo Alt o Transit Center and hop on the free Stanford Marguerite Shuttle. If you n eed a disability-related accommodation or wheelchair access information\, please contact Julianne Garcia at juggarci@stanford.edu. This exhibition i s open to Stanford affiliates and the general public. Admission is free.\n \nConnect with the Department of Art & Art History! Subscribe to our maili ng list and follow us on Instagram and Facebook. GEO:37.432546;-122.171856 LOCATION:McMurtry Building\, Miller Discussion Room SUMMARY:From Stone and Plate: Lithographs and Intaglio URL;VALUE=URI:https://events.stanford.edu/event/from-stone-and-plate-lithog raphs-and-intaglio CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260907T151327Z UID:tag:localist.com\,2008:EventInstance_47934066012543 DTSTART:20241106T190000Z DTEND:20241107T010000Z DESCRIPTION:Stanford Lithography 2024: Prints from 149A Kathryn Kain’s Cl ass\, Spring 2024 \n\nExhibition Run: November 4-12 (closed on Election Da y\, Nov. 5)\n\nGallery Hours: Monday-Friday\, 11am-5pm\n\nReception: Frida y\, November 8\, 4-5:30 PM\n\nLocation: Miller Discussion Space\, Across f rom the Coulter Gallery\, (Ground Floor Crit Space)\n\nArtists: Krain Chen \, Kaylee Harvey\, Halima Ibrahim\, Charu Jain\, William Pangburn\, Emma R eid Talley\, and Katie Terrell\n\nStanford is home to at least a hundred l imestones in the large printmaking studio\; this is rare as colleges and u niversities downsize printmaking spaces. I have taught lithography as a vi siting instructor at Stanford since 2006. I originally studied with Kenjil o Nanao\; a Tamarind trained master printmaker. He studied with and assist ed Nathan Oliviera\, master printmaker and late professor emeritus of prin tmaking at Stanford. During Spring Quarter 2024\, my students\, with much hard work\, created the works in this exhibit. \n\nLithography is the most recently developed of the traditional printmaking methods. Invented in 17 96 by Alois Senefelder\, who was a playwright searching for a more efficie nt method to reproduce words and music. Through trial and scientific exper imentation\, Senefelder perfected the technique known as chemical printing or lithography. The principle which makes this possible is simple: oil an d water don’t mix. \n\nLithographic pencils\, crayons and inks have a gr ease content which bonds with the stone after the drawing on stone is trea ted with a weak solution of nitric acid and gum arabic. \n\nUnlike relief and intaglio\, lithography is planographic and requires no carving or inc ision into the surface of a limestone block. Image areas are drawn or tran sferred as if to a sheet of paper. Inherently sensitive to grease and wate r\, the Bavarian limestone allows detailed images to be retained and print ed hundreds of times as long as a stone is chemically stable and kept damp while printing. \n\nThis highly commercially viable process took over th e printing industry and artists found the autographic medium attractive be cause limestone is a seductive surface for drawing. Although demanding and labor intensive\, lithography allows direct drawings to be duplicated fai thfully with proper expertise. \n\n- Kathryn Kain\, curator\n\nVISITOR IN FORMATION: The Miller Discussion Room is located on the ground floor of th e McMurtry Building\, located at 355 Roth Way. Visitor parking is availabl e in designated areas and payment is managed through ParkMobile (free afte r 4pm\, except by the Oval). Alternatively\, take the Caltrain to Palo Alt o Transit Center and hop on the free Stanford Marguerite Shuttle. If you n eed a disability-related accommodation or wheelchair access information\, please contact Julianne Garcia at juggarci@stanford.edu. This exhibition i s open to Stanford affiliates and the general public. Admission is free.\n \nConnect with the Department of Art & Art History! Subscribe to our maili ng list and follow us on Instagram and Facebook. GEO:37.432546;-122.171856 LOCATION:McMurtry Building\, Miller Discussion Room SUMMARY:From Stone and Plate: Lithographs and Intaglio URL;VALUE=URI:https://events.stanford.edu/event/from-stone-and-plate-lithog raphs-and-intaglio CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260907T151327Z UID:tag:localist.com\,2008:EventInstance_47934066014592 DTSTART:20241107T190000Z DTEND:20241108T010000Z DESCRIPTION:Stanford Lithography 2024: Prints from 149A Kathryn Kain’s Cl ass\, Spring 2024 \n\nExhibition Run: November 4-12 (closed on Election Da y\, Nov. 5)\n\nGallery Hours: Monday-Friday\, 11am-5pm\n\nReception: Frida y\, November 8\, 4-5:30 PM\n\nLocation: Miller Discussion Space\, Across f rom the Coulter Gallery\, (Ground Floor Crit Space)\n\nArtists: Krain Chen \, Kaylee Harvey\, Halima Ibrahim\, Charu Jain\, William Pangburn\, Emma R eid Talley\, and Katie Terrell\n\nStanford is home to at least a hundred l imestones in the large printmaking studio\; this is rare as colleges and u niversities downsize printmaking spaces. I have taught lithography as a vi siting instructor at Stanford since 2006. I originally studied with Kenjil o Nanao\; a Tamarind trained master printmaker. He studied with and assist ed Nathan Oliviera\, master printmaker and late professor emeritus of prin tmaking at Stanford. During Spring Quarter 2024\, my students\, with much hard work\, created the works in this exhibit. \n\nLithography is the most recently developed of the traditional printmaking methods. Invented in 17 96 by Alois Senefelder\, who was a playwright searching for a more efficie nt method to reproduce words and music. Through trial and scientific exper imentation\, Senefelder perfected the technique known as chemical printing or lithography. The principle which makes this possible is simple: oil an d water don’t mix. \n\nLithographic pencils\, crayons and inks have a gr ease content which bonds with the stone after the drawing on stone is trea ted with a weak solution of nitric acid and gum arabic. \n\nUnlike relief and intaglio\, lithography is planographic and requires no carving or inc ision into the surface of a limestone block. Image areas are drawn or tran sferred as if to a sheet of paper. Inherently sensitive to grease and wate r\, the Bavarian limestone allows detailed images to be retained and print ed hundreds of times as long as a stone is chemically stable and kept damp while printing. \n\nThis highly commercially viable process took over th e printing industry and artists found the autographic medium attractive be cause limestone is a seductive surface for drawing. Although demanding and labor intensive\, lithography allows direct drawings to be duplicated fai thfully with proper expertise. \n\n- Kathryn Kain\, curator\n\nVISITOR IN FORMATION: The Miller Discussion Room is located on the ground floor of th e McMurtry Building\, located at 355 Roth Way. Visitor parking is availabl e in designated areas and payment is managed through ParkMobile (free afte r 4pm\, except by the Oval). Alternatively\, take the Caltrain to Palo Alt o Transit Center and hop on the free Stanford Marguerite Shuttle. If you n eed a disability-related accommodation or wheelchair access information\, please contact Julianne Garcia at juggarci@stanford.edu. This exhibition i s open to Stanford affiliates and the general public. Admission is free.\n \nConnect with the Department of Art & Art History! Subscribe to our maili ng list and follow us on Instagram and Facebook. GEO:37.432546;-122.171856 LOCATION:McMurtry Building\, Miller Discussion Room SUMMARY:From Stone and Plate: Lithographs and Intaglio URL;VALUE=URI:https://events.stanford.edu/event/from-stone-and-plate-lithog raphs-and-intaglio CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260907T151327Z UID:tag:localist.com\,2008:EventInstance_47934066015617 DTSTART:20241108T190000Z DTEND:20241109T010000Z DESCRIPTION:Stanford Lithography 2024: Prints from 149A Kathryn Kain’s Cl ass\, Spring 2024 \n\nExhibition Run: November 4-12 (closed on Election Da y\, Nov. 5)\n\nGallery Hours: Monday-Friday\, 11am-5pm\n\nReception: Frida y\, November 8\, 4-5:30 PM\n\nLocation: Miller Discussion Space\, Across f rom the Coulter Gallery\, (Ground Floor Crit Space)\n\nArtists: Krain Chen \, Kaylee Harvey\, Halima Ibrahim\, Charu Jain\, William Pangburn\, Emma R eid Talley\, and Katie Terrell\n\nStanford is home to at least a hundred l imestones in the large printmaking studio\; this is rare as colleges and u niversities downsize printmaking spaces. I have taught lithography as a vi siting instructor at Stanford since 2006. I originally studied with Kenjil o Nanao\; a Tamarind trained master printmaker. He studied with and assist ed Nathan Oliviera\, master printmaker and late professor emeritus of prin tmaking at Stanford. During Spring Quarter 2024\, my students\, with much hard work\, created the works in this exhibit. \n\nLithography is the most recently developed of the traditional printmaking methods. Invented in 17 96 by Alois Senefelder\, who was a playwright searching for a more efficie nt method to reproduce words and music. Through trial and scientific exper imentation\, Senefelder perfected the technique known as chemical printing or lithography. The principle which makes this possible is simple: oil an d water don’t mix. \n\nLithographic pencils\, crayons and inks have a gr ease content which bonds with the stone after the drawing on stone is trea ted with a weak solution of nitric acid and gum arabic. \n\nUnlike relief and intaglio\, lithography is planographic and requires no carving or inc ision into the surface of a limestone block. Image areas are drawn or tran sferred as if to a sheet of paper. Inherently sensitive to grease and wate r\, the Bavarian limestone allows detailed images to be retained and print ed hundreds of times as long as a stone is chemically stable and kept damp while printing. \n\nThis highly commercially viable process took over th e printing industry and artists found the autographic medium attractive be cause limestone is a seductive surface for drawing. Although demanding and labor intensive\, lithography allows direct drawings to be duplicated fai thfully with proper expertise. \n\n- Kathryn Kain\, curator\n\nVISITOR IN FORMATION: The Miller Discussion Room is located on the ground floor of th e McMurtry Building\, located at 355 Roth Way. Visitor parking is availabl e in designated areas and payment is managed through ParkMobile (free afte r 4pm\, except by the Oval). Alternatively\, take the Caltrain to Palo Alt o Transit Center and hop on the free Stanford Marguerite Shuttle. If you n eed a disability-related accommodation or wheelchair access information\, please contact Julianne Garcia at juggarci@stanford.edu. This exhibition i s open to Stanford affiliates and the general public. Admission is free.\n \nConnect with the Department of Art & Art History! Subscribe to our maili ng list and follow us on Instagram and Facebook. GEO:37.432546;-122.171856 LOCATION:McMurtry Building\, Miller Discussion Room SUMMARY:From Stone and Plate: Lithographs and Intaglio URL;VALUE=URI:https://events.stanford.edu/event/from-stone-and-plate-lithog raphs-and-intaglio CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260907T151327Z UID:tag:localist.com\,2008:EventInstance_47934066017666 DTSTART:20241111T190000Z DTEND:20241112T010000Z DESCRIPTION:Stanford Lithography 2024: Prints from 149A Kathryn Kain’s Cl ass\, Spring 2024 \n\nExhibition Run: November 4-12 (closed on Election Da y\, Nov. 5)\n\nGallery Hours: Monday-Friday\, 11am-5pm\n\nReception: Frida y\, November 8\, 4-5:30 PM\n\nLocation: Miller Discussion Space\, Across f rom the Coulter Gallery\, (Ground Floor Crit Space)\n\nArtists: Krain Chen \, Kaylee Harvey\, Halima Ibrahim\, Charu Jain\, William Pangburn\, Emma R eid Talley\, and Katie Terrell\n\nStanford is home to at least a hundred l imestones in the large printmaking studio\; this is rare as colleges and u niversities downsize printmaking spaces. I have taught lithography as a vi siting instructor at Stanford since 2006. I originally studied with Kenjil o Nanao\; a Tamarind trained master printmaker. He studied with and assist ed Nathan Oliviera\, master printmaker and late professor emeritus of prin tmaking at Stanford. During Spring Quarter 2024\, my students\, with much hard work\, created the works in this exhibit. \n\nLithography is the most recently developed of the traditional printmaking methods. Invented in 17 96 by Alois Senefelder\, who was a playwright searching for a more efficie nt method to reproduce words and music. Through trial and scientific exper imentation\, Senefelder perfected the technique known as chemical printing or lithography. The principle which makes this possible is simple: oil an d water don’t mix. \n\nLithographic pencils\, crayons and inks have a gr ease content which bonds with the stone after the drawing on stone is trea ted with a weak solution of nitric acid and gum arabic. \n\nUnlike relief and intaglio\, lithography is planographic and requires no carving or inc ision into the surface of a limestone block. Image areas are drawn or tran sferred as if to a sheet of paper. Inherently sensitive to grease and wate r\, the Bavarian limestone allows detailed images to be retained and print ed hundreds of times as long as a stone is chemically stable and kept damp while printing. \n\nThis highly commercially viable process took over th e printing industry and artists found the autographic medium attractive be cause limestone is a seductive surface for drawing. Although demanding and labor intensive\, lithography allows direct drawings to be duplicated fai thfully with proper expertise. \n\n- Kathryn Kain\, curator\n\nVISITOR IN FORMATION: The Miller Discussion Room is located on the ground floor of th e McMurtry Building\, located at 355 Roth Way. Visitor parking is availabl e in designated areas and payment is managed through ParkMobile (free afte r 4pm\, except by the Oval). Alternatively\, take the Caltrain to Palo Alt o Transit Center and hop on the free Stanford Marguerite Shuttle. If you n eed a disability-related accommodation or wheelchair access information\, please contact Julianne Garcia at juggarci@stanford.edu. This exhibition i s open to Stanford affiliates and the general public. Admission is free.\n \nConnect with the Department of Art & Art History! Subscribe to our maili ng list and follow us on Instagram and Facebook. GEO:37.432546;-122.171856 LOCATION:McMurtry Building\, Miller Discussion Room SUMMARY:From Stone and Plate: Lithographs and Intaglio URL;VALUE=URI:https://events.stanford.edu/event/from-stone-and-plate-lithog raphs-and-intaglio CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260907T151327Z UID:tag:localist.com\,2008:EventInstance_47934066019715 DTSTART:20241112T190000Z DTEND:20241113T010000Z DESCRIPTION:Stanford Lithography 2024: Prints from 149A Kathryn Kain’s Cl ass\, Spring 2024 \n\nExhibition Run: November 4-12 (closed on Election Da y\, Nov. 5)\n\nGallery Hours: Monday-Friday\, 11am-5pm\n\nReception: Frida y\, November 8\, 4-5:30 PM\n\nLocation: Miller Discussion Space\, Across f rom the Coulter Gallery\, (Ground Floor Crit Space)\n\nArtists: Krain Chen \, Kaylee Harvey\, Halima Ibrahim\, Charu Jain\, William Pangburn\, Emma R eid Talley\, and Katie Terrell\n\nStanford is home to at least a hundred l imestones in the large printmaking studio\; this is rare as colleges and u niversities downsize printmaking spaces. I have taught lithography as a vi siting instructor at Stanford since 2006. I originally studied with Kenjil o Nanao\; a Tamarind trained master printmaker. He studied with and assist ed Nathan Oliviera\, master printmaker and late professor emeritus of prin tmaking at Stanford. During Spring Quarter 2024\, my students\, with much hard work\, created the works in this exhibit. \n\nLithography is the most recently developed of the traditional printmaking methods. Invented in 17 96 by Alois Senefelder\, who was a playwright searching for a more efficie nt method to reproduce words and music. Through trial and scientific exper imentation\, Senefelder perfected the technique known as chemical printing or lithography. The principle which makes this possible is simple: oil an d water don’t mix. \n\nLithographic pencils\, crayons and inks have a gr ease content which bonds with the stone after the drawing on stone is trea ted with a weak solution of nitric acid and gum arabic. \n\nUnlike relief and intaglio\, lithography is planographic and requires no carving or inc ision into the surface of a limestone block. Image areas are drawn or tran sferred as if to a sheet of paper. Inherently sensitive to grease and wate r\, the Bavarian limestone allows detailed images to be retained and print ed hundreds of times as long as a stone is chemically stable and kept damp while printing. \n\nThis highly commercially viable process took over th e printing industry and artists found the autographic medium attractive be cause limestone is a seductive surface for drawing. Although demanding and labor intensive\, lithography allows direct drawings to be duplicated fai thfully with proper expertise. \n\n- Kathryn Kain\, curator\n\nVISITOR IN FORMATION: The Miller Discussion Room is located on the ground floor of th e McMurtry Building\, located at 355 Roth Way. Visitor parking is availabl e in designated areas and payment is managed through ParkMobile (free afte r 4pm\, except by the Oval). Alternatively\, take the Caltrain to Palo Alt o Transit Center and hop on the free Stanford Marguerite Shuttle. If you n eed a disability-related accommodation or wheelchair access information\, please contact Julianne Garcia at juggarci@stanford.edu. This exhibition i s open to Stanford affiliates and the general public. Admission is free.\n \nConnect with the Department of Art & Art History! Subscribe to our maili ng list and follow us on Instagram and Facebook. GEO:37.432546;-122.171856 LOCATION:McMurtry Building\, Miller Discussion Room SUMMARY:From Stone and Plate: Lithographs and Intaglio URL;VALUE=URI:https://events.stanford.edu/event/from-stone-and-plate-lithog raphs-and-intaglio CATEGORIES:Exhibition END:VEVENT END:VCALENDAR